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I introduced myself in the hall on Wednesday afternoon to shoot this new RoboCop with a desire to try to look at it with a clear head without bias, hoping to find not so much a carbon copy of the original, as something that was able to actualize and reinterpret the themes and ideas according to different feeling. Which is what you should always do a remake, for as I see it. I tried to shake off the injury and the fear that, despite the folds of the trailer s'intravedessero the right cues, albeit hidden behind unpromising aspect, it would be coming off a stuff inconsistent and without direction on the style of Len Wiseman's Total Recall . All this, yet having in mind how much I love the original Verhoeven, really one of my top ten films of life, and not forgetting the two botched followed, since I had covered all the three previous days.

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I introduced myself as well, with an open heart and without defenses, trying. And how was it? She went after the first twenty minutes or so, let's say until you see the title, I could not believe my eyes and I thought, "Oh, but it turns out that this movie is a bomb?". Continued that then I'm back on planet Earth, and there were some problems, but always in the context of a film that I found very successful. It's over that I left the theater satisfied, breathing a sigh of relief for the bullet dodged. immediately I did not write this article, I had to let it rest a bit 'in the stomach. I chatted briefly, a voice and here and there on Facebook. Meanwhile, inevitably, check the reviews I've seen around the net, in essence split on two fronts: those who have loved, someone with strength while not daring to feel it comparable to the original, and those who hated it. Eh, well, there is little to do, I'm in the first group. I read the positive reviews and I seem to be talking about the movie that I saw.

I read the negative reviews and I think they're talking about the injury of what I was afraid of finding myself in front of the cinema and on the other hand I have not seen. In the end it is also normal, they are opinions, but so be it: for me, this is a good movie and a good remake, intelligent, who commits his mistakes but at least is not afraid to try, to say and do something, but not limited the homework licked and devoid of soul. RoboCop The Paul Verhoeven is something incredible, unique, untouchable, a smoothie timeless style that has never been possible to follow up and to whom, background, does not make sense to confront. The RoboCop José Padilha is a film that has the wisdom not to try to mimic that approach so special and that perhaps only Verhoeven is really able to run, but recovers the themes, concepts, ideas and try to update them , rework them, lead them through different paths and propose them filtered by a different vision, without refusing to pay homage to the founder in several ways. 's a wonderful movie? No. Is it a good movie? Yes Do you have any problems? Yes, definitely yes.

It is a remake decent and not offensive, which indeed has something different to say about the same topics? Oh, what can I do, I think yes, but just without the slightest doubt. Was it needed? But that idiotic question, come on. Anyway, yes, there was no need, either because today these issues are present more than ever, you want because in the end there is always a need for films that try to move between the constraints of Hollywood today to say and do something interesting .(Download RoboCop) Then, of course, it's easy to hate him. And it is easy to present to the cinema willing to accept that that will be screened only if by mistake the projectionist had to tuck in the 1987 film projector. Why then the fact is even a little 'what if you are looking for a movie of the incredible level of that guy, if you hope to find the violence of an R rated movie of 1987 in a PG-13 movie of 2014, if you are willing to accept only and solely the tone, personality and approach schizoid Verhoeven, well, yes, it is likely that this RoboCop makes you shit blood.

But, come on, admit it: a little 'you look for it, if you go to see him in the head with those claims. This means that anyone who has not loved or hated the new RoboCop understands nothing and is only based on prejudice? But no, let alone, God forbid. But, behold, if the problems are, have patience, and thanks to ...The opening of the new RoboCop is amazing. Come on, at least this concedetemelo, you who have hated and you are there to read me and give me an idiot not understanding nibbling at his desk.(Download RoboCop) It is amazing to effectiveness in the staging, for ability to rework ideas and themes of the original film in a new way and ideas which go to pay homage to what they all want so much. The Omnicorp / OCP is proposed with a reversed perspective: while in the original film aimed to privatize the police as a dress rehearsal for the real bang then privatizing the military, where it has already taken control of the war around the world and strives to be finally putting their hands on the cash U.S. law enforcement, but they are denied the public opinion.

The robots, drones current developments without hearts that are shipped to distribute democracy around the globe, have almost completely replaced the human factor in the army. And all of this is explained by Samuel L. Jackson, conductor pro-robotization of a talk show that looks like it came from Fox News for summary, opens the film and then come back a couple of times. From there you go to a demonstration of how well they are bringing robots areas "delicate" of the planet,(Download RoboCop) in a not too distorted vision of what America is today. In these first few minutes is all well and good that the new RoboCop tells of did the same things in their own style, but did not make a satirical parody throw it on the drive and trying to put the laughter between the cracks of a serious tone, dramatic and convinced . There are the wonderful advertising Verhoeven and there is no news so over the top, but there is a meeting point between reality and fiction that of the chilling.

TV - and, consequently, the company - told by Verhoeven was a wonderful and absurd parody of what was already a reality and today, in the real world, has reached and exceeded the level of his taking the piss. The television program of Samuel L. Jackson would just laugh if it were not that it is perfectly believable,(Download RoboCop) as are its arguments and what is shown in Tehran. And it all ends with the theme of Basil Poledouris used to launch the title of the film and at the same time act as a symbol to the talk show, recovering for a moment that irreverent spirit here that will prove to be not at home, but that pays homage to the tone of ' original. And I'll admit, at this point, I was seized with chills and almost did not believe it. Unfortunately or fortunately, the film then goes down, yet it remains good for many reasons, mainly because it is a film that tends to exploit similar starting points and then go to mind his own business.

This is seen, for example, different in approach to opera around which the story, the way in which the search for lost humanity by Murphy goes to mingle all'allucinante behavior of large corporations. Twenty-seven years ago, RoboCop (re) born devoid of humanity, only to discover it within himself slowly and try in vain pursuit of the memory of what he had lost. Today, his first experience of resurrection is that of a man fully conscious and tucked inside a tin can. He is upset,(Download RoboCop) asking to be killed, he flees and in doing so shows us an overview of a Chinese factory in which many small workers, lined up like little robots, have assembled this new RoboCop. At the end of the new OmniCorp is a distorted version (how? Boh?) Apple's chairman Michael Keaton is not a bad caricature, but a kind of sleazy Steve Jobs trying to transform into a product and sell his vision of the world. All actions of the bad traveling on these tracks and then retrieve the concept of man as an object to be modeled and sell, treated as if it were an action figure, to be disposed of at will.

Alex Murphy becomes a parody of a human being, a creature composed of a grotesque face, a bit 'of the brain and some internal organ. And a hand, because the point is not really to create an efficient cop, but put together an advertising ploy that can turn the tide and allow to undermine the law to win the market. Robocop is not a police officer, is a product of OCP, a charming cover that talks about technology at the service of the human soul, which puts a face on the actions of a robot and give the impression that the product inside there is a heart. For this reason,(Download RoboCop) where Miguel Ferrer tore the arm surviving by Peter Weller, with the idea of selling to the public of the eighties the ultimate weapon, Michael Keaton keeps the right hand of Joel Kinnamon and makes use of a taser, because in 2014 must to sell its product to a generation that does not care brute force, but the slick elegance, the human touch or self-styled.

And then this man-made pieces, composed of shreds of humanity that are brutally ripped off in front of the mirror, in a perfect scene in describing its grotesque absurdity, it becomes a concentrate of bales marketing inside and out. Indeed, during the fight, it turns into the car in all respects, it acts entirely driven by the computer, but it conveys the feeling of being in control,(Download RoboCop) with the result of taking the piss the law, public opinion and Murphy himself , the product offered for sale. And if you realize that the spark of humanity left in that walking can create operational problems, the excessive emotional flow, never mind: you delete that, too, because you have to meet the deadline and send the product in stores, even if it is not working. At the limit, then we invent a patch and never mind if we promised and we continue to advertise something that has nothing to do with what we have built. In practice it is the cyber equivalent of the bales on the ingredients present in foodstuffs from the supermarket or fake demo-style Aliens: Colonial Marines .

Padilha's film is above all a political film, interested in talking to American business abroad, the use that is made ​​of drones in war and, perhaps, early in the life of every day. But at the same time recovers, the focus is on 2014 reflections on the commodification and media rincretinimento son of television culture.(Download RoboCop) And in all this dusts off and expands the melodrama of a figure that is seen tearing his humanity, in a more systematic and controlled than that of Verhoeven. Here we have a RoboCop born to be human and that humanity then this is deliberately torn, piece by piece, in the name of the business. What follows is the bottom of the same journey towards regaining what has been lost, some treated here in a more mannered, even if in the end less insistent than I feared, and, here, a timid return of food for ridicule character, robotic creature that looks at his son as an object of study to pigeonhole into a set of values, filling in an excel file that defines the virtual level of trauma and sadness at the death of his father.

And then there is of course even the most traditional genre film, one in which Padilha vents his passion for shooting dirty and confused, particularly apt that in the dark, and then plays in the final meeting with the ED-209 to the headquarters Omnicorp. This is outside the RoboCop modern and athletic,(Download RoboCop) able to run and jump away dall'impacciata original coffin, but that basically keeps in his new agility of mechanical movements, absurd, since the robot Duracell, and does not encroach in any case 'fast-paced action and falsely spectacular. Basically, the final conflict is conceptually not that much different from the comparison to two years ago. True, it borders on the ridiculous voluntary Verhoeven, although still pays homage to fall down the stairs, but he sees a RoboCop committed to manage as it happens and basically buried to escape bullets and missiles, without being able to react much.

Here, from this point of view, to miss the bad guys are charismatic and over the top, the characters from viscerally hate and that make you cheer when they take the missiles in the face. Of course, in direct comparison with that ridiculously attractive cast of 1987, the new RoboCop comes out with broken bones, especially if we then compare the anonymous Antoine Vallon with Clarence Boddicker, but the point here is to try a different direction, with no real and its bad guys-speck,(Download RoboCop) antagonists that are just the thousand faces of the faceless bureaucracy slimy, popular in a world where you do not save anyone. Alex Murphy, today, does not address adorably vicious unbearable, but a lot of nullity immersed in the gray zone, headed by an executive sneaky manipulator. And in that pile, even the character of Gary Oldman, essentially framed as positive and one equipped with a conscience, however, does indecent things soon finds himself with cadreghino at risk. Well, RoboCop (2013) is not, and is able to be - fundamental - not intended to be RoboCop (1987), but it is a film in which there is still so much.

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Then it is all framed at its best, the satire is coarse-grained (but, hey, is not that Verhoeven went there own with kid gloves), some things are out of place, you will find certain clash, the rate is fluctuating every now and then the melodrama becomes cloying, the agent Lewis from strong woman becomes the friend of color is a bit 'a sad sign of the times, even a few giveaways to the original divide between those other very well chosen and fairly forced, but it is a good movie and a decent remake.(Download RoboCop) Species, then, if we take into account the premises: Why do Hollywood in the 2014 remake of a movie PG-13 rated R in 1987 for more than a movie that had a schizoid personality Verhoeven, it's not that trivial undertaking . I saw the other day, here in Paris, at the movies, in their original language. I watched all the credits to the end because I wanted to hear one last (?) Time at the cinema that theme there, albeit rearranged, and I knew that would come. I told you mine, now crocifiggetemi well in the lunchroom.

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